Welcome to my website!
I’m Alan Miles.
Some authors spend their whole lives writing. Others, like me, spend their whole lives living, then write.
After an eventful, utterly unplanned career — starting as an English language teacher, moving on to journalism and broadcasting in the Middle East, then suddenly finding myself a partner in an award-winning computer business with a spectacular rise and fall — I have plenty of stories to tell.
Two of them, books entitled The Foreign Aide and The Marathon Years, are scheduled for 2026 release. Let me introduce them.
THE FOREIGN AIDE
The Foreign Aide is a dark fiction shaped by my experience as a first-hand witness of the early months of the Lebanese Civil War in 1975 — a war that eventually lasted for 15 years.
The book tells the story of four expatriates who shelter together for safety. But as the fighting intensifies, so do their relationships — until there’s a flashpoint, a misunderstanding and a breakdown. Who’s to blame? I’ll let you decide.
What follows next may serve as a warning, more relevant today than ever: not to allow ourselves to be led into wars we don’t understand by people we should’t trust.
THE MARATHON YEARS
This is a personal memoir, the story of our decade-long battle defying dementia after my wife Lena was diagnosed with early-onset Alzheimers in 2013. A story that shows how love and hope can survive even in the darkest times. An experience that has helped me to shape a radical new approach to adult social care.
My plan is to publish the book in early December 2026, but you can read the early chapters here.

I hadn't. The story goes somewhere I never would have expected, an intellectual space that is usually reserved for children and romantic picnickers. But not here - 'Waiting for Orders' readers are allowed a little brainplay.
Characters are fully developed from the oily and smooth Amin, the impatient and practical Dave, the seductress Monique, the proper English Claire, and the adventurous larger than life Lawrence.
But this gritty and authentic book has one flaw - a weak and unlikeable protagonist.
I found myself chuckling at chunks of dialogue I might not have found as humorous if I didn't have that voice drawling its way around my skull. Also, thinking about young Jack Nicholson somehow made me feel that this short story, published in 2010, was somehow classic! Neat trick.
And the ending! Boy, I didn't see that coming either. It ended rather abruptly for my taste; I wanted more! The quick-draw ending doesn't soften the piece, though. It just leaves the reader itching for more Miles.
One thing I will note is that the dialogue does not use quotation marks, but dashes, which I believe is more of a French thing. There were no 'he saids' or 'she saids' — which you think could get confusing, but it doesn’t. The dialogue was so good that you could tell who was speaking by the way they were talking.
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